Point of view is the perspective from which the story is being told. Your choice of point of view can really change your story, so it’s important to make an educated decision. (This post isn’t going to go deep into all the points of view—because there are a lot—I’ll just touch on the top four most popular and most general.)

It may seem easier and cheaper to have an all-in-one editor, this way you get all the editing done in one go. Let me tell you why you shouldn’t do this.

There are a lot of things to consider when hiring an editor, so here are eight tips to help you make the right decision.

Imagine someone telling you a story at a party. It would be a hilarious story—except that they suck at telling it. Their words are jumbled, and they’re so long-winded, and they messed up the punchline. It’s just a mess. This is what line editing fixes in your story.

Overwriting often happens with amateur writers. New writers think they need to explain everything to the reader for them to understand. This means there’s lots of meaningless description without much progression of the story. The reader is pulled out of the story and gets bored! So, let’s learn how not to do that!

There are several types of book editors that do different jobs and come at different stages. You’ll want to hire them in the correct order, otherwise someone’s word (and your money) will be for naught. Let’s go through the four main types of editors and what they do!